Tooscut
Color Grading

Color Wheels and CDL

Use color wheels and CDL (slope, offset, power) for primary color correction.

Two tools for primary correction: ASC-CDL (slope, offset, power) for numeric precision, and color wheels (lift, gamma, gain) for visual adjustments.

Primary Correction (CDL)

Industry-standard ASC-CDL formula. Three operations applied per RGB channel:

Slope, Offset, Power

ParameterEffectAnalogy
SlopeMultiplies pixel value — scales highlights and midtonesGain / exposure
OffsetAdds to pixel value — lifts or lowers the entire rangeBrightness / lift
PowerGamma curve — reshapes midtones without clippingGamma / contrast

Each has independent R, G, B controls for per-channel color cast correction.

Global controls

ControlEffect
SaturationGlobal color intensity
ExposureOverall brightness multiplier
TemperatureWarm (yellow) to cool (blue) shift
TintGreen to magenta shift
HighlightsRecover or push bright areas
ShadowsLift or crush dark areas

Color Wheels

Visual interface for color balance across three tonal ranges.

The three wheels

WheelTonal RangeUse for
LiftShadowsCool or warm the dark areas
GammaMidtonesShift the overall color balance
GainHighlightsTint the bright areas

Usage

Polar coordinate controls:

  • Drag the center point toward a color to push that tonal range. Toward orange = warm shadows, toward blue = cool highlights.
  • Distance from center = intensity of the shift.
  • Luminance slider below each wheel adjusts brightness of that range independently of color.

Example: fixing white balance

Blue color cast in footage:

  1. Add a Color Wheels node.
  2. Drag Gamma toward orange/yellow to neutralize.
  3. Adjust Lift if shadows are still too blue.
  4. Check highlights with Gain.

CDL vs. Color Wheels

Both do primary correction — pick whichever fits:

  • CDL — precise numeric work, easy to copy values between shots.
  • Color Wheels — intuitive visual adjustments.

Both nodes can be used on the same clip in the grading graph.